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In Antichrist he does it again, this time in slow-motion close-up, during the poetic bout of marital sexual intercourse that begins the film.
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Von Trier was, after all, the first filmmaker outside the hardcore porn genre to show full penetrative sex. This sounds suspiciously like a cop-out from a man dedicated to the breaking of cinematic taboos. And, also, my explanations are always banal and stupid." "There are some things it is not good to explain or analyse. It is only when I begin questioning him about the sadistic horrors that he visits on the audience in Antichrist - a penis spurting blood, a graphic depiction of female genital self-mutilation - that he suddenly sits up straight again and looks uncomfortable. Von Trier, though, seems perfectly relaxed. It all feels very strange: the interview as therapy session. It was a humiliating way to work."Īs he talks, von Trier shakes off his shoes, lies down on the couch and closes his eyes. I was helpless like an old man in a wheelchair. When it came to filming, I was not mentally capable to hold the camera and shoot. The only way to get out of bed was to make this decision and stick to it. "There was no pleasure in doing this film," he says, "I made myself write 10 pages of script every day. He is talking about his latest film, Antichrist, which he began during a bout of debilitating depression. Von Trier is sitting opposite me on a couch.
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I am sitting in an armchair in his office, a spacious cabin on the edge of his sprawling Zentropa studio complex. Strindberg was born in Stockholm, Sweden.Ī strange thing happens 10 minutes into my interview with Lars von Trier. In the interview below with Lars von Trier we described August Strindberg, a hero of the director, as "the Danish dramatist". The following correction was printed in the Observer's For the record column, Sunday 19 July 2009